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ZHANG ZIYI’s 
MORPHINI ISLAND


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Zhang Ziyi is a new media artist working with real-time 3D rendering and interactive immersive technology. Her whimsical fantasy color palette and sophisticated semiotics bring contemporary themes to life in a heart-touching way. In her iconic series, Butterfly Island, she creates digital butterflies, each flying with unique data set on this magical island, exploring topics of diversity and cultural inclusivity. Her work delves into themes of humanity, heritage, social and ecological sustainability in the context of the contemporary digital age. Ziyi’s art has been exhibited internationally across China, Singapore, Europe, and the US, with notable showcases at the Ars Electronica Festival (2023) in Austria and Singapore’s Landmark Building Ten Square (2023).



ARTWORKS


DIGITAL SOUL & DATA METAMORPHOSIS (2024)
A.I. GROTTOES (2023) 
PERSONALITY AWAKENING (2024)
RED ROSE AND WHITE ROSE (2024)
THE SOUND OF HEART, THE MELOGY OF VOILIN (2024)
REMINISCENCE OF RIVER SOUTH (2023)
TIMELESS BEGINNINGS: A CLOCK TOWER TRIBUTE TO NEW LIFE IN SINGAPORE (2023)
SKY SIHEYUAN: A METAVERSE AUCTION HOUSE WHERE HUMAN MEETS THE NATURE (2023)
THE STORY OF HISTORY (2022)
GO SAILING (2022)



FEATURED


ARS ELECTRONICA 2023 CAMPUS EXHIBIT
狮城有约 | 艺新艺异:人工智能艺术

ADM  GRADSHOW 2024









Red Rose and White Rose

Collaborated with 90 Degree Drama Cub, National Unviersity Singapore
Country: Singapore
Media: 3D Rendering
Year: 2024
Based on Eileen Chang’s celebrated novel "Red Rose and White Rose," this design serves as the marketing material for its theatrical adaptation of the same name. The imagery of red and white roses blooming captures the essence of the narrative, set against the vibrant yet tumultuous backdrop of 1930s Shanghai.

The contrasting roses symbolize the dualities explored in Chang's story—passion versus purity, desire versus duty, and the complexities of human relationships. The red rose represents the fiery and forbidden love, embodying the protagonist's deepest desires and inner turmoil. In contrast, the white rose stands for the societal expectations of purity, order, and the tranquil life he is supposed to lead.

The backdrop of 1930s Shanghai, with its blend of tradition and modernity, provides a rich cultural and historical context. The city was a melting pot of Eastern and Western influences, a place where ancient customs clashed with new ideas, mirroring the protagonist’s internal conflict and the novel's exploration of identity and societal pressures.

This artwork aims to evoke the intense emotions and the era’s aesthetic, inviting the audience into a world of dramatic contrasts and poignant beauty. The visual elements not only honor Eileen Chang's literary masterpiece but also entice theatergoers to delve into the evocative and intricate narrative brought to life on stage.


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 ©  2024 Zhang Ziyi. All rights reserved.